Leanne works with botanicals as sculptural material, though sculpture can feel a little too fixed a word for something so inherently alive.

Her practice began in the landscapes of Suffolk, in fields that taught attention long before ambition: grasses bending with the wind, seedpods holding their quiet architectures, weather reshaping form through repetition rather than drama. It was there that the structure first revealed itself as something gentle, a kind of tenderness in disguise.

When she turned to flowers, it wasn’t to arrange them into prettiness, but to listen to what they were already saying, about line and weight, about negative space, about the emotional temperature a form can carry within a room.

Over time, her work loosened its ties to traditional floristry and softened into a more spatial language: compositions shaped by rhythm and pause, by what is withheld as much as by what is placed. There is a calm confidence in restraint.

Today, her practice moves across gatherings, private homes, brand commissions and installations, creating environments that settle rather than perform: quiet, textural spaces that feel emotionally attuned and deeply considered.

Each project is approached as a small, temporary world, composed in conversation with architecture, season and the intelligence of the materials themselves.

The studio remains intentionally small. Time is inhabited, not optimised. Attention is part of the craft and care is felt in every detail.

Botanical design, here, becomes an evolving practice: thoughtfully considered, sometimes precise, and always human.